mekonin - 2012-02-18
Fourth in the IMA Portraits series, this short introduces us to the life and work of electronic/contemporary composer Eliane Radigue. Radigue discusses methods of composition, the challenges and difficulties of live electronic music, as well as biographical episodes with Pierre Henry and her own goals in soundscape production and consumption. A lucid portrait of a dream manufacturer. Notes: Eliane Radigue was awarded a Golden Nica in the category Digital Musics of Prix Ars Electronica 2006, international competition for CyberArts. The ORF produced a documentary TV programm about Eliane Radigue (© 2006 Ars Electronica GmbH / Prix Ars Electronica & ORF -- Austrian Broadcasting Company) and friendly provided this material for the IMA fiction portrait #04.
Astonishing brilliant person. I really really admire her spirit and her accomplishment. I admit though that I don't always have the concentration to 'really listen' especially over long periods of time. But the power of her individual acoustic vision is impressive.
I personally don't care for the particular style she has, but that's just not my niche and to each their own. The way she describes her recording habits though, 2 years to lay down one track..that's serious dedication to your craft and you have to respect her and the end result of her labors, even if it doesn't necessarily pique your interest.
A unique perspective on Eliane Radigue's creative process of mastering the ARP 2500 and her audio processing techniques, my how things have changed.
This synth is a beast! Very good!
Maravilloso material. Gracias!
Eliane R. est une ancienne assistante de Pierre Henry, un autre grand compositeur de musique contemporaine, très influent (s'il n'avait pas consacré sa vie à la musique, nous n'aurions probablement pas eu de musique techno ...)
@Anna K Poleri Oui, en tant que musicien français, j'ai tendance à occulter ces écoles ;-)
Funny; I make music, and sometimes it somewhat resembles this kind she does. And I totally get what she's talking about - listening with respect, and trying to figure out what "it" is saying. Here, I experimented with layers of high-pitched complex samples played back many times slower, then layered, then overdubbed with parts I thought would be fitting : https://soundcloud.com/zond/themisto-solitary
I had a listen! loved it!
@Dyllan Walker Thanks!
génial tout simplement génial
what a treat , thanks!
excellent!
True craft
le absolutamente amo
one fine presentation
It was about 15000$!
What will she think of the behringer Arp2500?
Sacré bleu!
La media vola loco !!
Shw wrote down all the presets, Surely a few polaroids would have been effective?!
FORMIDBLIE~!!!!
Such a beautiful machine ... used to replicate the sounds of washing machines.
relax, the net is full of ignorant trolls like funkystuffeeee or whatever
arp2500 is great but where the music?
@Agent 19 ignorance is bliss obviously for you, if you didn’t like the “noise” why would you comment on it? She has a huge fan base and you’re not in it
GRIMOURIUM
https://youtu.be/g0YBDENEAtc
@Random Random GRIMOURIUM
https://youtu.be/g0YBDENEAtc
@Plucia GRIMOURIUM
https://youtu.be/g0YBDENEAtc
@MBLUL not sax - i need arp 2500 MUSIC )))
Incredibly mindless tunes, very amatheur woman... She has nothing to do to it all!... boah...
go vote for drumpf, ass hole.
Learn to appreciate drone and ambient music, it’s very meditating 🧘♂️
@Plucia GRIMOURIUM
https://youtu.be/g0YBDENEAtc
Plucia - 2021-01-25
A lot of people don’t seem to understand this kind of music, reading some of the negative comments, yes it’s not everyone’s cup of tea, but for many it’s very meditating and pleasant for the soul. Obviously it’s an art and requires a lot of dedication and time to create. People really need to learn, understand and appreciate ambient and drone music
Adrian Johnson - 2022-01-25
I love this lady and her musical process is utterly fascinating. Eliane's compositions would be best described as an unfolding, a slow process of becoming. A blossoming of the self.